Blaise CENDRARS AUJOURD'HUI. Claude Leroy), Europe, n° 566, juin 1976. A los quince años realizó un largo viaje por Asia en compañía de un comerciante en piedras preciosas. He comments on the trampling of his library and temporary "extinction of my personality" at the beginning of L'homme foudroyé (in the double sense of "the man who was blown away"). Blaise Cendrars (La Chaux-de-Fonds, cantón de Neuchâtel, Suiza, 1 de septiembre de 1887 - París, 21 de enero de 1961), cuyo nombre real era Frédéric-Louis Sauser, … His full name is thus the metaphorical equivalent of the mythical Phoenix, or Firebird, with its power to rise from its own ashes. (Seudónimo de Frédéric Sauser Hall; La Chaux-de-Fonds, 1887 - París, 1961) Escritor francés. La característica más notable de este extravagante autor fue su gran afición por los viajes, que le sobrevino a la temprana edad de nueve años, debido a las visitas que sus progenitores (su padre era suizo y su madre escocesa) realizaron con él a Egipto e Italia. Tras un período de reposo en Biarritz (1931-1933), donde escribió Aujourd'hui (1931), libro de ensayos, junto al famoso Elogio de la vida peligrosa y Vol à voile (1933), se lanzó de nuevo a la vida aventurera, como reportero para varios periódicos, lo cual le llevó a recorrer América del Norte y Central, a cubrir la Guerra Civil Española y a informar de la Segunda Guerra Mundial desde las filas británicas. Frédéric-Louis Sauser (La Chaux-de-Fonds, Neuchâtel, 1 de setembre de 1887 — París, 21 de gener de 1961) fou un escriptor suís en llengua francesa, conegut amb el nom de Blaise Cendrars. [13] He knew many of the writers, painters, and sculptors living in Paris. Cendrars, Blaise 1887-1961. Pâques, Cendrars, poésie et siamois . [5] Cendrars regarded the early modernist movement from roughly 1910 to the mid-1920s as a period of genuine discovery in the arts and in 1919 contrasted "theoretical cubism" with "the group's three antitheoreticians," Picasso, Braque, and Léger, whom he described as "three strongly personal painters who represent the three successive phases of cubism. This page was last edited on 25 September 2020, at 13:03. Ron Cendrars, Blaise. In the summer of 1912, Cendrars returned to Paris, convinced that poetry was his vocation. His father, an inventor-businessman, was Swiss, his mother Scottish. Las mejores ofertas para CENDRARS Aujourd'hui EDITION ORIGINALE Service de presse ENVOI AUTOGRAPHE 1931 están en eBay Compara precios y características de productos nuevos y usados Muchos artículos con envío gratis! He joined the French Foreign Legion. Voici le troisième élément du diaporama (cliquez ici pour atteindre ce diaporama) du «Magazine Littéraire» dont je vous ai parlé là.. Il s'agit de Blaise Cendrars et de son chat siamois. Por Blaise Cendrars Traducido por Tamym Maulén. There he wrote the poem, "La Légende de Novgorode", which R.R. 38", Centre d'Études Blaise Cendrars (CEBC) de l'université de Berne (Switzerland), (Centre des Sciences de la Littérature Française (CSLF) de l'université Paris X-Nanterre, Association internationale Blaise Cendrars, Blaise Cendrars, Anthologie Nègre, 1921, Editions de la Sirene, Paris, original French edition, 1914-1918-online. He was born in La Chaux-de-Fonds, Neuchâtel, Switzerland, rue de la Paix 27,[1] into a bourgeois francophone family, to a Swiss father and a Scottish mother. Al inicio de la contienda, Blaise Cendrars se alistó en la Legión Extranjera y fue herido en Champagne el 28 de septiembre de 1915, siéndole amputado su antebrazo derecho. De retour à Paris en 1950, il collabore fréquemment à la Radiodiffusion française. [8] The published work was printed within washes of color by the painter Sonia Delaunay-Terk as a fold-out two meters in length, together with her design of brilliant colors down the left-hand side, a small map of the Transsiberian railway in the upper right corner, and a painted silhouette in orange of the Eiffel Tower in the lower left. A partir de ese momento su actividad literaria fue muy intensa. Frédéric-Louis Sauser (1 September 1887 – 21 January 1961), better known as Blaise Cendrars, was a Swiss-born novelist and poet who became a naturalized French citizen in 1916. Blaise Cendrars (Seudónimo de Frédéric Sauser Hall; La Chaux-de-Fonds, 1887 – París, 1961) Escritor francés. Couverture grise imprimé en rouge et noir. La publicación de Chez l'Armée anglaise (1940) le obligó a retirarse a Aix-en-Provence en el momento de la ocupación nazi de Francia. Cendrars liked to claim that his poem's first printing of one hundred fifty copies would, when unfolded, reach the height of the Eiffel Tower.[9]. function citaurl() { var x = location.href; document.getElementById("urlcita").innerHTML = x;} In 1918, his friend Amedeo Modigliani painted his portrait. ¿Desea reproducir alguna biografía en su web. He was a writer of considerable influence in the European modernist movement. In Occupied France, the Gestapo listed Cendrars as a Jewish writer of "French expression", but he managed to survive. La característica más notable de este extravagante autor fue su gran afición por los viajes, que le sobrevino a la temprana edad de nueve años, debido a las visitas que sus progenitores (su padre era suizo y su madre escocesa) realizaron con él a Egipto e Italia. He was the first modernist poet, not only in terms of expressing the fundamental values of Modernism but also in terms of creating its first solid poetical synthesis, although this achievement did not grow out of a literary project or any theoretical considerations but from Cendrars' instinctive attraction to all that was new in the age and equally alive for him in literature of the past. Algunas de sus poesías, cuya estructura constituye un precedente de la de Apollinaire, se publicaron en Les Hommes Nouveaux, revista fundada por el propio Cendrars en París, donde se instaló definitivamente en junio de 1912. Cómo citar este artículo:Ruiza, M., Fernández, T. y Tamaro, E. (2004). It is Cendrars' emblem of the act of creation in writing: Trans. Dos viajes sucesivos por Brasil le inspiraron sus siguientes novelas, auténticas epopeyas del aventurero moderno: Feuilles de route, El oro (L'Or, 1925) y Moravagine (Moravagine, 1926), que fue un gran éxito. The two poets influenced each other's work. Blaise Cendrars , Intervals , re-examined cultural of the Jura and Bienne, n° June 18th, th and th 1987. the New French Review , n° 421, February 1st, 1988 (n° partially devoted to Cendrars). These qualities, which also inform his prose, are already evident in Easter in New York and in his best known and even longer poem The Transsiberian, with its scenes of revolution and the Far East in flames in the Russo-Japanese war ("The earth stretches elongated and snaps back like an accordion / tortured by a sadic hand / In the rips in the sky insane locomotives / Take flight / In the gaps / Whirling wheels mouths voices / And the dogs of disaster howling at our heels"). Cendrars continued to be active in the Paris artistic community, encouraging younger artists and writing about them. En 1950, el autor regresó a París, donde publicó sus últimas obras: A barlovento, Le Brésil, des hommes sont venus (1952), Noëls aux quatre coins du monde (1953), Emmène-moi au bout du monde (1956), Trop c'est trop (1957), À l'aventure (1958) y Films sans images (1959). Aparecieron, entre otros, La Guerre au Luxembourg (1916), Profond aujourd'hui (1917), Dix-neuf poèmes élastiques (Diecinueve poemas elásticos, 1913-1919), J'ai tué (He matado, 1918), La fin du monde filmée par l'ange Notre-Dame, Au coeur du monde (1919-1922), Anthologie nègre (1921) y L'Eubage (1926, aunque escrita diez años antes). La collection " Tout autour d'aujourd'hui " réunit, en quinze volumes, les uvres complètes de Blaise Cendrars (1887-1961) dont elle propose la première édition moderne, avec des textes établis d'après des sources sûres (manuscrits et documents), accompagnés de préfaces et suivis d'un dossier critique comprenant des notices d' uvres, des notes et une bibliographie propre à chaque volume. The novel, Emmène-moi au bout du monde !…, was his last work before he suffered a stroke in 1957. window.onload=function comocitar() {citapers();citaurl();} Cendrars' style was based on photographic impressions, cinematic effects of montage and rapid changes of imagery, and scenes of great emotional force, often with the power of a hallucination. var f=new Date();document.write(f.getDate() + " de " + meses[f.getMonth()] + " de " + f.getFullYear());. Recuperado de function citapers() { var x = document.getElementsByTagName("title"); document.getElementById("perscita").innerHTML = x[0].innerHTML;} He became acquainted with the international array of artists and writers in Paris, such as Chagall, Léger, Survage, Suter, Modigliani, Csaky, Archipenko, Jean Hugo and Robert Delaunay. Grasset, Paris, 1931 1 volume in-18 (19 x 12 cm), broché de 250 pages. Cendrars' relationship with painters such as Chagall and Léger led him to write a series of revolutionary abstract short poems, published in a collection in 1919 under the title Dix-neuf poèmes élastiques (Nineteen elastic poems). Blaise Cendrars, pseudonym of Frédéric Sauser, (born Sept. 1, 1887, La Chaux-de-Fonds, Switz.—died Jan. 21, 1961, Paris, Fr. 1890-1982. Cendrars' poem Les Pâques à New York influenced Apollinaire's poem Zone. . It was during this second half of his career that he began to concentrate on novels, short stories, and, near the end and just after World War II, on his magnificent poetic-autobiographical tetralogy, beginning with L'homme foudroyé. Cendrars called the work the first "simultaneous poem". During this period, he wrote his first verified poems, Séquences, influenced by Remy de Gourmont's Le Latin mystique. Omaggio a Blaise Cendrars, Rome, Letteratura (textes réunis par Guy Tosi), n° 52, juillet-août 1961; Blaise Cendrars 1887-1961, Mercure de France, n° 1185, mai 1962; Blaise Cendrars (dir. Par un tour prophétique exceptionnel chez Cendrars, Aujourd'hui (1931) tient tout ensemble de la profession de foi, de l'art poétique et d'une proclamation à la face du monde entier. Next they enrolled him in a school in Neuchâtel, but he had little enthusiasm for his studies. He described this war experience in the books La Main coupée (The severed hand) and J'ai tué (I have killed), and it is the subject of his poem "Orion" in Travel Notes: "It is my star / It is in the shape of a hand / It is my hand gone up to the sky . For instance, he described the Hungarian photographer Ervin Marton as an "ace of white and black photography" in a preface to his exhibition catalogue. He stayed with Eugenia in her house in Biarritz, in a room decorated with murals by Picasso. Tras un período de reposo en Biarritz (1931-1933), donde escribió el libro de ensayos Aujourd'hui (1931), junto al famoso Elogio de la vida peligrosa y Vol à voile (1933), Blaise Cendrars se lanzó de nuevo a la vida aventurera, como reportero para varios periódicos, lo cual le llevó a recorrer América del Norte y Central, a cubrir la guerra civil española y a informar de la Segunda Guerra Mundial desde las filas británicas. In 1907, Sauser returned to Switzerland, where he studied medicine at the University of Berne. Profond Aujourd'hui (1917) Le Panama ou les aventures de mes sept oncles (1918) Dix-neuf poèmes élastiques (1919) La Fin du monde filmée par l'Ange Notre-Dame (1919) ... Blaise Cendrars. Papier ordinaire jauni. En Biografías y Vidas. Supposedly fourteen copies were made, but Cendrars claimed to have no copies of it, and none could be located during his lifetime. Fue un adolescente problemático y un mal estudiante, lo cual le valió ser internado en un estricto colegio alemán, al que tampoco se adaptó. John Dos Passos, in his celebratory essay on Cendrars, "Homer of the Trans-Siberian. EL ORO de BLAISE CENDRARS y una gran selección de libros, arte y artículos de colección disponible en Iberlibro.com. In 1950, Cendrars settled down in the rue Jean-Dolent in Paris, across from the La Santé Prison. Jean Cocteau introduced him to Eugenia Errázuriz, who proved a supportive, if at times possessive, patron. Un viejo monje me contó de tu muerte. [11], Cendrars became an important part of the artistic community in Montparnasse; his writings were considered a literary epic of the modern adventurer. When it began, he and the Italian writer Ricciotto Canudo appealed to other foreign artists to join the French army. Between 6–8 April 1912, he wrote his long poem, Les Pâques à New York (Easter in New York), his first important contribution to modern literature. Tout autour d'aujourd'hui, I : Poésies complètes: Amazon.es: Cendrars,Blaise, Leroy,Claude: Libros en idiomas extranjeros Blaise Cendrars, ca. Facebook Twitter WhatsApp Correo Está durmiendo. International Encyclopedia of the First World War, https://en.wikipedia.org/w/index.php?title=Blaise_Cendrars&oldid=980252205, Short description is different from Wikidata, Articles with French-language sources (fr), Wikipedia articles with CANTIC identifiers, Wikipedia articles with Léonore identifiers, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SIKART identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License. 1907, photograph by August Monbaron. Vuelve de nuevo a París durante el verano 1912, convencido de su vocación poética. Like Rimbaud, who writes in "The Alchemy of the Word" in A Season in Hell, "I liked absurd paintings over door panels, stage sets, backdrops for acrobats, signs, popular engravings, old-fashioned literature, church Latin, erotic books full of misspellings," Cendrars similarly says of himself in Der Sturm (1913), "I like legends, dialects, mistakes of language, detective novels, the flesh of girls, the sun, the Eiffel Tower. Tras un período de reposo en Biarritz (1931-1933), donde escribió el libro de ensayos Aujourd'hui (1931), junto al famoso Elogio de la vida peligrosa y Vol à voile (1933), Blaise Cendrars se lanzó de nuevo a la vida aventurera, como reportero para varios periódicos, lo cual le llevó a recorrer América del Norte y Central, a cubrir la guerra civil española y a informar de la Segunda Guerra Mundial desde las filas … He was a writer of considerable influence in the European modernist movement. Frédéric Louis Sauser, better known as Blaise Cendrars, was a Swiss novelist and poet naturalized French in 1916. He signed it for the first time with the name Blaise Cendrars.[7]. Blaise Cendrars (1. září 1887 – 21. ledna 1961), vlastním jménem Frédéric Louis Sauser, byl švýcarský spisovatel a básník usazený ve Francii.Byl silně ovlivněn modernismem.. Život. It was during the attacks in Champagne in September 1915 that Cendrars lost his right arm and was discharged from the army. el var meses = new Array ("enero","febrero","marzo","abril","mayo","junio","julio","agosto","septiembre","octubre","noviembre","diciembre"); He died in 1961. See "'French Book Art' at the Public Library," Roberta Smith. While living in St. Petersburg, he began to write, thanks to the encouragement of R.R., a librarian at the National Library of Russia. Blaise Cendrars (conference of the centenary to the CCI of Cerisy-the-Room), Southern , 1988. ." Realizó viajes por Europa, Rusia y Asia, trabajando en diversos oficios. badira fitxategi gehiago, gai hau dutenak: Blaise Cendrars Artikulu honen edukiaren zati bat Lur hiztegi entziklopediko tik edo Lur entziklopedia tematiko tik txertatu zen 2011/12/27 egunean. - French Culture", https://hyperallergic.com/382414/blaise-cendrars-a-poet-for-the-twenty-first-century/, Publications by and about Blaise Cendrars, "Blaise Cendrars, The Art of Fiction No. He was acquainted with Ernest Hemingway, who mentions having seen him "with his broken boxer's nose and his pinned-up empty sleeve, rolling a cigarette with his one good hand", at the Closerie des Lilas in Paris. His father, an inventor-businessman, was Swiss, his mother Scottish. There he collaborated frequently with Radiodiffusion Française. Après trois années de silence, il commence en 1943 à écrire ses Mémoires : L'Homme foudroyé (1945), La Main coupée (1946), Bourlinguer (1948) et Le Lotissement du ciel (1949). . His youngest son was killed in an accident while escorting American planes in Morocco. Victime d'une congestion cérébrale le 21 juillet 1956, il meurt d… ‘Retrato’, de Blaise Cendrars (1887 – 1961) 29 de abril de 2010. Aucune mention d'édition sur la page de titre. Siguieron Cuentos negros para los niños de los blancos (Petits contes nègres pour les enfants des blancs, 1928), Le Plan de l'Aiguille (1929), Les Confessions de Dan Yak (1929), Ron (Rhum, 1930) y Comment les Blancs sont d'anciens Noirs. Frédéric-Louis Sauser (1 de septiembre de 1887 - 21 de enero de 1961), más conocido como Blaise Cendrars, fue un novelista y poeta nacido en Suiza que se convirtió en ciudadano francés naturalizado en 1916. L'Or la merveilleuse histoire du général Johann August Suter de Cendrars, Blaise y una gran selección de libros, arte y artículos de colección disponible en Iberlibro.com. Nouvelle édition 1995; Cendrars aujourd'hui. Cendrars was the first exponent of Modernism in European poetry with his works: The Legend of Novgorode (1907), Les Pâques à New York (1912), La Prose du Transsibérien et la Petite Jehanne de France (1913), Séquences (1913), La Guerre au Luxembourg (1916), Le Panama ou les aventures de mes sept oncles (1918), J'ai tué (1918), and Dix-neuf poèmes élastiques (1919).